title: |
Two centuries in one: Musical romanticism and the twentieth century |
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contributing persons: |
Herbert Pauls[VerfasserIn] |
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1054739226 |
Hartmut Möller
, Prof. Dr.[AkademischeR BetreuerIn] |
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Hochschule für Musik und Theater Rostock, Musikwissenschaft |
Robin Elliott
, Prof. Dr.[AkademischeR BetreuerIn] |
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1038008492 |
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University of Toronto, Musikwissenschaft |
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contributing corporate bodies: |
Universität Rostock, Hochschule für Musik und Theater[Grad-verleihende Institution] |
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5307577-8 |
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abstract: |
Few twentieth-century composers were considered more untimely than those who persisted
in using the “old” tonal and romantic-sounding idioms. However, the best of them contributed
many enduring works to the daily repertoire, and now many minor twentieth-century
romantics are also proving to be of strong interest, particularly for discerning connoisseurs.
Adding to their stature, the once-common progress narrative of musical evolution has
been largely abandoned today, and we have reached the point where some of the major
romantic figures have been recast as modern or even modernist.
[English] |
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document type: |
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institution: |
Rostock University of Music and Drama |
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language: |
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subject class (DDC): |
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publication / production: |
Rostock
Rostock: Universität Rostock
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2014
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identifiers: |
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access condition: |
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license/rights statement: |
all rights reserved This work may only be used under the terms of the German Copyright Law (Urheberrechtsgesetz). |
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RosDok id: |
rosdok_disshab_0000001218 |
created / modified: |
03.09.2014 / 08.08.2023
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metadata license: |
The metadata of this document was dedicated to the public domain (CC0 1.0 Universal Public Domain Dedication). |